Monday, December 17, 2018
'Comparing the Ways\r'
' equation the ship give the axeal in which Owen respectablely portrays somatogenic and noetic payoffs of struggle in the songs Ã¢â¬ËDisabled and Ã¢â¬Ë moral Cases Wilfred Owens metrical compositions Ã¢â¬ËDisabled and Ã¢â¬Ë amiable Cases apiece portray re in ally variant aspects of contend and its consequences. As their names suggest, Ã¢â¬Ë rational Cases is approximately the psychological personal effects war had on soldiers, whitheras Ã¢â¬ËDisabled foc imple workforcets much on the personal consequences of war. However, in twain verses the corporeal and cordial be be all intertwined, and although they describe actually different situations, in many ways the poems are resembling in their portrayal of the consequences of war overall.The start(a) ways in which we can analyze these poems is by their content, speech and t wholeness. In the poem Ã¢â¬ËDisabled, Owen states the subject areas situation in the commencement place of the poem: Ã¢â ¬Å"He sat in a wheeled chair, custodying for darkÃ¢â¬Â this gunstock bluntly highlights to the lecturer that the subject is disabled, and is obviously genuinely handicapped by his injury, because he cannot do anything moreover Ã¢â¬Ëwaiting for dark. The fabricator the informs the reader of exactly what the mans injuries are, in the same direct style Ã¢â¬ Ã¢â¬Å"Leg little, sewn go around at elbow. This emphasizes how starkly and immediately obvious the mans injuries would be to somebody who saw him. In comparison, the poem Ã¢â¬Ë psychical Cases starts with the line Ã¢â¬Å"Who are these? Why sit they here in twilight? Ã¢â¬Å"; which is a far less straight forward line, and glitters how little was unders to a faultd about the psychogenic effects of war at the time. The physical consequences of war are not as magnanimous in Ã¢â¬ËMental Cases, barely they are alleviate mentioned.The some right on example is when the fibber describes how the shell-shocked soldie rs bulge: Ã¢â¬Å"their heads wear this hilarious, hideous, awful falseness of set-smiling corpsesÃ¢â¬Â and the reader comes to translate that their torment is so great they pass baffled control of their facial muscles. Owen uses the ledger Ã¢â¬Å"their faces wearÃ¢â¬Â to tell that their facial transportions are not a square illustration of their feelings, barely like a pretend covering their thoughts. He then eerily likens their expressions to that of Ã¢â¬Å"set-smiling corpsesÃ¢â¬ÂÃ¢â¬Ë to mayhap to suggest that these men are almost loose with torment.another(prenominal) powerful physical description in Ã¢â¬ËMental Cases is Ã¢â¬Å"their eyeballs shrink tormented Ã¢â¬ choke into their brainsÃ¢â¬Â which paints a range of a function of how gaunt the mens faces are, and how their mental torture is so real to them, that their eyes physically shrink away(predicate) from the memories. Overall, physical consequences of war provide the central conundrum for the subject of Ã¢â¬ËDisabled, whereas in Ã¢â¬ËMental Cases the subjects poor physical condition is because of their mental state. This brings us on to the powerful portrayal of the mental consequences of war in these poems. Mental Cases is set in an institute for mentally dishonored soldiers, and starts with a stanza questioning how the men concerned receive been reduced to such a state of insanity. unmatchable very powerful question which describes the mens mental torment is Ã¢â¬Å"- however what slow panic gouged these chasms round their worry sockets? Ã¢â¬Â The oxymoron Ã¢â¬Å"slow panicÃ¢â¬Â highlights clean how terrible the paroxysm of the men is as panic is one of the most horrible, alarmed and rushed emotions a person can feel; so to have this feeling displace out and slow is awful.Owens use of the verb Ã¢â¬Ëgouged is also moving as it is a violent action, so it underlines that these men are the victims of something brutal. Another particularly moving line in the first stanza is Ã¢â¬Å"Ever from hair and finished their hands palms Misery sweltersÃ¢â¬Â This statement is very effective at showing how all-consuming their fear and misery is as it metaphorically compares the misery to sweat; which of course comes out of either pore of ones skin, and the verb Ã¢â¬Å"sweltersÃ¢â¬Â is adds to the effect as it conveys the clammy feverishness which is plaguing the men along with their memories.In comparison to Ã¢â¬ËMental Cases, the poem Ã¢â¬ËDisabled describes less direct mental consequences of war; as the subject of the poem is not suffering from shell-shock, but rather from the loneliness and lostness which his disability is causing him. Before the war, the subject of the poem was a well-favoured and popular teenager who was excellent at football, however, his injuries have left him disfigured and completely dependent on others, which leads to a mental torment far subtler but almost as agonising as that of the subjects in Ã¢â¬ËMen tal Cases Ã¢â¬ he elapses all his time cerebration about the time before the war, and regretting that he subscribe up.This is the main tragedy behind this poem Ã¢â¬ the point that the whole situation could have been prevented if he hadnt. The narrator of the poem recognises this, and expresses the subjects regret with lines such as Ã¢â¬Å"In the old times, before he threw away his kneesÃ¢â¬Â. The use of the phrase Ã¢â¬Å"threw awayÃ¢â¬Â shows that the subject does not signify that it was worth it Ã¢â¬ he feels that he illogical his limbs for postal code; it was a waste. It also suggests that he blames himself for what happened.Another phrase which is very powerful in conveying the mental consequences of war on the subject of this poem is in the first line; when he is described as school term and Ã¢â¬Å"waiting for darkÃ¢â¬Â. This shows how he empty his animateness is, because he has zero point to do but wait for darkness to come, so he can go to bed. The concludin g phrase which powerfully portrays the mental consequences of war is when, describing how the subject was naive when he signed up for the war, the narrator writes Ã¢â¬Å"no fears of Fear came yet. By bit the second Ã¢â¬Ëfear into a proper noun, Owen powerfully suggests that there are a multitude of different things encompassed in this word for a soldier, and shows how central fear was to soldiers lives when they were at war. Overall, Ã¢â¬ËMental Cases shows the most vicious and forceful mental consequences that war could have on a soldier, whereas Ã¢â¬ËDisabled shows an verifying and much more subtle, yet s cashbox tormenting psychological impact of war. One thing which the poems have in common concerning the consequences of war, is that it is clear in both that war demanded great sacrifice from the soldiers, and caused great bolshie for them.This is very powerfully portrayed in Ã¢â¬ËDisabled when the narrator writes Ã¢â¬Å"Hes lost his colour very far from here, poured it down shell-holes till the veins ran dryÃ¢â¬Â these two lines are particularly poignant due to Owens use of the verb Ã¢â¬Å"pouredÃ¢â¬Â which emphasizes the excessiveness of the young mans loss of blood. The word Ã¢â¬Å"colourÃ¢â¬Â here could be interpreted to mean the mans happiness and natural blush; which reminds the reader again of how handsome and popular he had been.The final point which makes this line so powerful is the phrase Ã¢â¬Å"till his veins ran dryÃ¢â¬Â which conveys to the reader that the subject gave everything he had to the war Ã¢â¬ his limbs and with them his successful life -, yet got cypher back. In comparison, the subjects of Ã¢â¬ËMental Cases lost their minds to the war; because of the impossible repulsions they experienced. The narrator sums this up in the lines Ã¢â¬Å"Carnage incomparable, and human being squander rucked too thick for these mens untanglingÃ¢â¬Â this shows that the men experienced too many horrors and too much slaughter f or them to endure.Another point which both poems express is that the consequences of war, both physical and mental, are irreversible. This is obvious in Ã¢â¬ËDisabled, as there is no way he can get his legs back; but the narrator emphasizes this throughout the poem by using the word Ã¢â¬Ënever frequently. For example Ã¢â¬Å"Now, he is old; his back entrust never braceÃ¢â¬Â. By describing the man, who cannot be more than nineteen years old, as old, Owen shows the reader just how much of an effect the war had on the subject, as age is one of the few indisputably irreversible things in life.In comparison, the narrator of Ã¢â¬Ë Mental Cases, when describing the soldiers memories, says Ã¢â¬Å"Wading sloughs of flesh these helpless wander. Treading blood from lungs that had love laughterÃ¢â¬Â by describing them as Ã¢â¬Ëhelpless the narrator shows he considers the men beyond help. subsequently all, how can you help someone if the source of all their problems is their own memo ries? The lines are made particularly powerful as they describe the soldiers remembering when they trod on lungs which Ã¢â¬Å"had loved laughterÃ¢â¬Â.This shows that the soldiers had known and laughed with the men whose lungs they were forced to grade on because the ground was covered with so many bodies. Another line where we get the sense impression that the shell-shocked men are beyond help is when the narrator says Ã¢â¬Å"on their sense sunlight seems a blood-smearÃ¢â¬ÂÃ¢â¬Â¦ Ã¢â¬Å"Dawn breaks propagate like a wound that bleeds afreshÃ¢â¬Â: if something as beautiful and pure as sunlight and morn reminds these men of blood and wounds, then we feel that nothing will ever calm them, and bring them back to sanity. Another way in which we can compare these poems is by their structure.Most noticeably, Ã¢â¬ËDisabled is considerably longer than Ã¢â¬ËMental Cases. This reflects how the subject of Ã¢â¬ËDisabled is in a state of thoughtfulness and pondering, whereas the n arrator of Ã¢â¬ËMental Cases is simply explaining the subjects to somebody, and therefore does not spend as much time contemplating. The two poems are similar in structure in the sense that they both move between past and present, but Ã¢â¬ËDisabled does so far more often than Ã¢â¬ËMental Cases and this again could reflect the contemplation of the subject. Finally, Ã¢â¬ËMental Cases does not hoarfrost at all, whereas Ã¢â¬ËDisabled has a constant, although not regular, rhyme scheme.The lack of rhyme in Ã¢â¬ËMental Cases could reflect how harsh the realities of war are, and the raw pain and horror that is shell-shock; perhaps Owen did not want to dampen the atrocity of the truth in this piece by smoothing it over with rhymes. The final way in which we can compare how Owen powerfully portrays the consequences of war in these poems is by facial expression at their note of hand. The first and last stanza of Ã¢â¬ËDisabled have a melancholy tone, which Owen achieves by usi ng language such as Ã¢â¬Ëghastly, Ã¢â¬Ësaddening, Ã¢â¬Ëpity and Ã¢â¬Ëcold. He also juxtaposes the words Ã¢â¬Ëdark and Ã¢â¬Ëgrey, to urinate a general tone of gloom.The rest of the stanzas fluctuate between a tone of regret and despair, and one of bittersweet reminiscence, as the subject contemplates the past and present. In comparison, Ã¢â¬ËMental Cases has a brutally honest tone all the way through, although it changes from questioning at the beginning to guilt feelingsy towards the end. Owen achieves this guilty tone with the line Ã¢â¬Å"Snatching later on us who smote them ,brother,Ã¢â¬Â in which the narrator accepts that he and his go with are partly to blame for the tragic decision the men in front of them have, and the word Ã¢â¬Ëbrother suggests that he feels closer to his companion because of this shared guilt.In conclusion, although each poem powerfully portrays a different kind of consequence that war could have on a soldier, they both seem to agree t hat the losses the subjects of each poem endured were a great sacrifice to them, and one which is irreversible. Another point which the poems seem to recognize, is that their losses were a stray Ã¢â¬ it was not worth it. This is shown in disabled by the subjects regret and in Ã¢â¬ËMental Cases by the narrators guilt at sending the subjects to war.\r\n'